That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

A note about surge protectors: Make sure they are actually surge protectors and not just “power strips” that Amazon has mixed into the search results. Power strips are easy to find in many varieties, made by any number of fly-by-night companies; they’ll do nothing to help protect your stuff from power surges. Legitimate surge protectors from reputable companies are much less common. Also, they don’t last forever. An older surge protector may still work as a power strip, but over time they may become much less effective as surge protectors.

Wait till they hear about the people farming, harvesting, and shipping the vegetables.

A fucking Members Only pizza.

It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.

There was a scene in Braveheart we had to skip when we watched it in middle school. I’m sure many convinced their families to rent Braveheart from Blockbuster for “homework” later. At this point, I don’t even remember what the scene was. Maybe there was a penis? Probably it was just butts or boobs. The corpses and violence were of little concern.

There was that one time we watched a particular version of Romeo and Juliet and the teacher was delightfully inept at skipping scenes. That girl was barely older than most of us.

I have cable. It doesn’t really work like that anymore. I used to be able to click through ALL the basic cable channels, catching a frame or two of every single channel, with zero delay between channels, all within like under a minute. These days every channel change or menu selection has a built-in delay of at least a second or two. Channel surfing just doesn’t vibe the same anymore. That form of TV is mostly if not entirely dead.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

Obviously Miles Davis is the only answer, but only while watching Elevator to the Gallows because he composed and performed the soundtrack. Otherwise I just listen to the thing I’m watching.

“pretty easy” is a bit of a stretch

Why not keep it simpler with one commandment:

Thou shalt not make a machine in the likeness of a human mind.

“Boring straight lines” as you put it are also a way for the poorest land owners to describe, subdivide, buy, and sell property using simple easy to understand language, often without even the need for a surveyor or a lawyer to get involved. Curved boundary lines are a clear indicator of commercial development at the higher end of that spectrum. Ordinary folks are not going to have the necessary training to do anything to directly subdivide property described in that way without involving lawyers and surveyors.

Moreover, you often can’t sell a property without ingress and egress access to some public right of way. The same rules for simplicity of geometry apply to those right of ways too. Curves are vague and require complex legalese to describe in words. It also wasn’t too long ago that the precision of survey tools just did not exist to accurately describe parcels as anything but straight line distances with sometimes VERY vague information about orientation. Only more recent subdivisions (often much less than about 100 years old) include curves described with any decent level of precision. When they do describe curves on older documents it’s almost always in reference to large curves along existing structures (like railroads) and the actual geometry of that curve is not fully defined.

What we see here is only tangentially related to tourism in that it is directly related to the entire business of land development, which includes everything else.

Ask a surveyor with experience in Mexico.

It looks like most of the minor streets are mostly parallel with or perpendicular to the major road to the north and the rest are aligned along the cardinal directions: north & south, east & west. Lots of the properties and their respective drainage and road right of ways were probably apportioned to align with whatever the most significant roadway or canal was in place at the time. I can see the being portioned off using simple legal language like you can buy the north 50 meters of the south 300 meters relative to “this road” and the east 50 meters of the west 200 meters relative to “this canal”. You can accurately divide an area this way without any need to define a grid north, a proper grid coordinate system, and very basic survey tools.

I’d guess that the other streets oriented to the cardinal directions came later as survey tools and practices advanced or some other change in the way municipalities regulate. For example, in the U.S. you see most gridded streets and lots in older areas, relative to sections townships and ranges, but in new platted developments constantly curving streets are all the rage.

Whatever the cause, you are seeing the history of land development as the area develops it’s customs around land development.

Landru?

DO NOT OBEY LANDRU.

Why not both?

I suggested Plex because it syncs local copies on a per device setting so you can stream and sync pretty seamlessly. I haven’t copied a file around except for making backups for nearly a decade now. It does audiobooks with saved progress inside the files too.

Selfhosting is not piracy because you’re only streaming the albums you already bought and paid for. If you’re not down for buying CD’s or other physical media, or maybe you no longer have a disc drive, then you should be buying the lossless audio direct from the artists or via a service like Bandcamp. I just bought a few vinyls from Bandcamp and I had them to listen as to on all my devices (as lossless CD quality FLAC files) inside of a few minutes after purchase. Plex paired with plexamp on devices for ease of use. Replace with Jellyfish in a pinch. MPD might work, but you’d need to be better at networking than I am, also you’d need a steady internet connection at both ends.

Self-hosting is not piracy, it’s fair use. Piracy is when a fool that only bought a license to listen instead of buying the actual media decides they want to listen on another device.