

Either way, you can put passengers in the back of an SUV, but not in the bed of a truck (without breaking laws or being totally unsafe).
Either way, you can put passengers in the back of an SUV, but not in the bed of a truck (without breaking laws or being totally unsafe).
Agreed. 90 minutes to go 2.3 miles sounds like a snails pace. That works out to just under 40 minutes to walk a mile. Most healthy adults should be able to jog or fast walk a mile in under 15 minutes. A 5k is about 3.1 miles and most of the slow runners finish in 30-40 minutes. I would consider 25 minutes per mile a leisurely pace. 40 minutes per mile must mean a lot of signalized intersections. I’ve found a mile or two is the perfect distance to walk home from the bar after a night out (weather dependent obviously). Maybe Google thinks they’ll be walking drunk?
There is a reason that I have fallen asleep during the extended 3rd act fight scene in every single god damn marvel movie since Mark Ruffalo became the Hulk.
They all turn into the same movie, with the same fight. And these super long fights all seem to be surprisingly light on showing any of the actual real world impacts of such violence. Nobody ever gets seriously hurt unless the plot needs more sacrifice. But even when they do, the injuries mostly happen off camera and the blood never flows or spurts, it just instantly appears as makeup. It’s really giving people a deep rooted and totally unfounded sense that violence both solves every problem (it doesn’t) and does so bloodlessly (it doesn’t). At least Batman knows he’s not a hero.
But really, the DC universe isn’t much better. Think about how shocking a little bit of blood at the beginning of the new Superman movie was, before they basically destroy metropolis (which was rather expected and mundane). And then they only show the tiny fraction of people personally saved by Superman, not the countless mangled corpses buried under rubble. This may be why the public has trouble confronting the realities of war and violence.
They were also inconveniently experiencing significant negative feedback to their business decision to sell warmed up day old food as a standard operating procedure just before new of the logo drama erupted. If you thought cracker barrel was extremely mid before, it’s apparently gone full Applebee’s microwave kitchen bad lately.
I guess they couldn’t get it suspended long enough to get a measurement from the crane itself?
My smartphone isn’t a phone with “extra” features to me. My smartphone is a portable personal computer with extra sensors, a GPS receiver, and wireless internet, which also happens to have a phone app. I don’t want to carry an extra “dumb” phone. I would prefer my smart watch to be the communication and identity hub for me and my devices: holding the SIM card, acting as a wifi hotspot, routing calls and internet to my handheld brick or laptop, etc. Instead of acting like a third party add-on, it would be a mostly distraction free core. Let me use a smartphone, laptop, steam deck, cobbled together cyber deck, or whatever else have you as my local screen, storage cache, and/or proper desktop. Then I can put the screens down or leave them behind without feeling cut off or potentially stranded in a world that practically requires it to navigate with any ease. I want a smart watch that enables me to leave the house without car keys, driver’s license, and credit cards; essentially with nothing but my watchphone. I want to be a cyberpunk Dick Tracy. What I want, with the freedoms and open standards I want, with the privacy I want, without being locked into a single monopoly walled garden, is probably a pipe dream. I want what is probably the next evolution of the “year of the Linux desktop”. But a kid can dream.
That’s not very helpful for connecting family, friends, and especially grandma.
Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.
So edgy.
If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.
I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.
There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.
Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.
A note about surge protectors: Make sure they are actually surge protectors and not just “power strips” that Amazon has mixed into the search results. Power strips are easy to find in many varieties, made by any number of fly-by-night companies; they’ll do nothing to help protect your stuff from power surges. Legitimate surge protectors from reputable companies are much less common. Also, they don’t last forever. An older surge protector may still work as a power strip, but over time they may become much less effective as surge protectors.
Wait till they hear about the people farming, harvesting, and shipping the vegetables.
A fucking Members Only pizza.
It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.
There was a scene in Braveheart we had to skip when we watched it in middle school. I’m sure many convinced their families to rent Braveheart from Blockbuster for “homework” later. At this point, I don’t even remember what the scene was. Maybe there was a penis? Probably it was just butts or boobs. The corpses and violence were of little concern.
There was that one time we watched a particular version of Romeo and Juliet and the teacher was delightfully inept at skipping scenes. That girl was barely older than most of us.
I have cable. It doesn’t really work like that anymore. I used to be able to click through ALL the basic cable channels, catching a frame or two of every single channel, with zero delay between channels, all within like under a minute. These days every channel change or menu selection has a built-in delay of at least a second or two. Channel surfing just doesn’t vibe the same anymore. That form of TV is mostly if not entirely dead.
Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.
And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.
Obviously Miles Davis is the only answer, but only while watching Elevator to the Gallows because he composed and performed the soundtrack. Otherwise I just listen to the thing I’m watching.
No metal + oxygen = rust and sometimes that reaction is encouraged by a catalyst that remains in contact with both. You think they’re going to go to all that trouble and not going to rinse and dry the tank when they’re done?