He’s on Outer Worlds 2 as “Studio Design Director”, as in duties that apply to the entire studio, a studio that works on multiple projects at any given time. He was game director on Pentiment while Outer Worlds 2 was being built. I’m sure he did plenty of actual work on Outer Worlds 2 the same way that my boss helps solve problems I’m having, even though they’re also working with other teams on other projects. He probably also got started on his next main project right after Pentiment wrapped, all while helping out on Avowed, Outer Worlds 2, and Grounded 2.

its pretty much just Sawyer, out of names people might actually know

I knew very few of these people’s names before looking at the credits just now, but I’m not sure what that has to do with anything. There are names on there that you probably didn’t know that worked on both projects.

I don’t think Sawyer was “demoted”. I think he’s just on other projects. Pentiment’s entire development probably fit within Outer Worlds 2’s timeline. I don’t think Bethesda said, “invite everyone who worked on New Vegas” expecting there to be no change in staff in 15 years, but there are still plenty of people from that old project there.

Thanks! But I really do mean it when I say I haven’t come across defenders of 3 over New Vegas, so this was definitely all a new perspective for me, lol. I also think there are a lot of people asking for a new Fallout game that haven’t tried 1 and 2, and I’d love to point more people that way when the topic comes up, or at least to the Wasteland games as a close enough proximity.

A casual look down the MobyGames lists on New Vegas and Outer Worlds 2 still shows a lot of overlap, so probably. It would be weird to invite people who didn’t work on New Vegas to see the realization of a thing they didn’t work on.

Well you folks have been pretty quiet for 15 years. What’s the argument for 3 over New Vegas? Or 3 over 1/2?

I’ve been on gaming forums for a long time, and I honestly can’t recall a single time I saw anything resembling an actual debate that people might like 3 more than New Vegas. I have seen debates of 3 vs. 4 and New Vegas vs. 1/2, but I’ve never come across a debate between people who’ve played more or less the entire series and preferred Bethesda’s games. Maybe that’s you, but this would be the first time.

Just about any game is someone’s favorite, but that doesn’t mean there’s a lot of debate. Fallout 4 and 76 appear to have reached an audience much larger than the rest of the series’ usual standards for copies sold, so the sense I get is that if you’re calling one of those your favorites, you most likely haven’t seen most of the rest of the series. I think 3 and 4 get a lot of criticism that may go too far, but the long and short of it is that the consensus is that Bethesda’s entries are not among the strongest in the series.

“I think fans debate what their favourite one is, which is understandable,” Howard says. “I think it’s great that you can have a lot of factions and the fans say, ‘Oh, I like one or two or three or four, or Vegas or 76’ now, and so I think that’s really healthy for a franchise where people can say which one is their favourite.”

I’m sure Todd’s head canon is that there’s more of a debate than there actually is.

No Avowed or Outer Worlds 2 either, which are high on my personal list. And before someone wants to tell me they were divisive, they both reviewed far better than the likes of To a T or Lost Records.

This game didn’t stand a chance regardless of this incident.

I don’t even mind that there are so many different streaming services. It’s still a far better version of cable, where I can opt into ad-free for a few more dollars and sign up for or cancel a given service at will without having to have all of them. What sucks is when it’s the only legal distribution channel and I can’t make the choice that’s right for me based on my consumption, like buying just the movies and shows I want and playing them how I want. Demonstrated in the video, we still need what can most accurately be categorized as a workaround or a hack to even rip our own Blu Rays. All that plus the streaming services have raised their prices beyond the point where it’s an attractive deal.

They did a lot of extra work on it without charging for it, and it’s been a long time since they put out a hit. California salaries and real estate are expensive.

I would ordinarily put my top-level thoughts in the “Body” part of the link submission, but I’ve found that a lot of people here only read that box without reading the article, so I’ll put them in a comment here.

“Your company is only as strong as your last game,” says Celia Schilling, marketing director at Yacht Club.

This is true when you’re a single project studio.

By 2024, Yacht Club finally acknowledged that the two-team structure wasn’t working. It laid off some employees to cut expenses and paused development on the Shovel Knight sequel so everyone could work on Mina the Hollower, with Velasco taking over as director. What was once considered a less ambitious side project is now the company’s largest game ever.

My read on this is that the the two-team structure wasn’t the problem, but scope creep was, not to mention the bad fit for initial project direction that they acknowledged elsewhere in the article. I’m quite sure Mina the Hollower will hit their sales target of 200k copies. Hopefully they scale back up responsibly after that.

Yeah, I’m aware. This is a problem that the movie and TV industry don’t appear to be interested in solving. And they seemingly operate as a massive cartel, so one studio isn’t about to break out on its own and innovate with a DRM free movie store.

My watch parties already basically dried up. The movie industry is crumbling in front of us for not being able to adapt to what their audience actually wants, and I end up just spending my time in other ways, because they’re offering me poor value and too much friction (VPNs and torrents) to get what I want, and that’s what my rant is. They’ll adapt or die. Right now, it’s looking like the movie industry will die. You’re making a lot of assumptions there about offloading my decision making to AI though…

Oh, I forgot the other part of my rant when it comes to acquiring the content. Brick and mortar doesn’t carry Blu Rays anymore. Maybe Walmart does, but I don’t have one near me. Target and Best Buy stopped. I have a functional mall near me, but not one store in it sells movies, and when I asked, they looked at me like I had two heads.

I’m all for this, but acquiring the media outside of streaming services in the first place is difficult, likely by design. There’s no GOG for movies and TV; there’s not even a Steam. My wife is basically permanently subscribed to Peacock because she loves Law and Order: SVU, to the point that she basically has the whole series on loop while she knits. I started looking this time last year into how to self-host all that, but I didn’t even get to the point of finding out what Jellyfin is before I realized that it was impossible to legally acquire all the seasons on Blu Ray or even DVD. They want me to either subscribe to Peacock or buy a “digital copy”, which is just rental streaming by another name. I’m not a skilled enough pirate to know that my ISP isn’t going to mind my activity, and being a skilled pirate isn’t even something I’m interested in being. Plus, my past experiences with piracy is that beggars can’t be choosers, and the bit rate could be awful, or it would have huge watermarks from whatever Canadian channel the pirate recorded from, and that’s not a great experience when it’s supposed to be a gift anyway.

Unlike the video author, I’m not even bothered by algorithmic recommendations for media. I actually like it. The main reason I want to self host my media is because I don’t watch so much of it that a subscription price makes sense very often. If my wife and I are just watching the same couple of things over and over again, why do I need a buffet of content I’m not going to watch at monthly subscription prices?

He’s not, but the context of the interview was him speaking for the team.

But lead level designer Jacob Mikkelsen says he doesn’t regret anything they’ve done so far

Not even the online requirement for accessing most of the game’s features? It’s so needless. To my knowledge, the game doesn’t even have an in-game microtransaction shop to give them an incentive to have you online. At least there’s a community server project, so I feel good about our chances of preserving the game in the future, but it doesn’t make me okay with giving them my money in the present. And it’s a damn shame, because the sandbox they made for Hitman is fantastic.

I would call Avowed the best action game this year, yes. I think a lot of people were let down by the ways that it’s light on RPG systems, expecting it to be a Bethesda style game, but I’d say that, while it’s not 1:1, that game has a lot in common with FromSoft games but without the tense feeling of being against tough odds. If you haven’t played it yet, you’ll see what I mean. There’s also Eternal Strands, which I haven’t played just because there was so much else to play this year, but it’s got some buzz and interesting design ideas behind it.