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Joined 5 years ago
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Cake day: May 24th, 2021

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  • Agreed! I think both linting and type checking are extremely important to Python, but it’s also an extra step that far too many people just don’t take. And honestly, I used to get tripped up sometimes with setting up Python tooling before I started using uv.

    Unfortunately I also have to work with the occasional Python script that someone just slapped together, and that’s something far too easy to do in Python. It does kind of remind me of vibe coding. Initial velocity seems high, but if you’re not thinking about it, long term maintenance tanks.

    That’s not to say Python is bad, and there is certainly a lot of good Python code out there too. But it’s a language that does make it easy to make a mess, which will probably be compounded by LLMs.








  • I think you’re asking why you can’t own music? It’s because the vast majority of it is streamed and it’s not trivial to keep it. Sure, if you know what Github is you can find all sorts of software to rip the streams, but that’s asking a lot from most people who have trouble installing an official client.

    There is Bandcamp, which is reasonably priced and I think pays artists well? So some hope there. I haven’t really looked at the license agreement, so no idea if they can remove anything you’ve already purchased (keep backups of your downloads! 😀 )

    There’s also vinyl records, but new pressings are quite expensive. I buy some old records, but the new stuff I reserve for albums I really like.

    I like owning my music so that nobody can take away the stuff I paid for. I’ve moved streaming services before and there have been gaps in the library. Not to mention, most of the streaming clients are actually pretty terrible. If I just had a bunch of files, I could use whichever audio player I like and not be stuck with whatever crap the streaming provider lets me use.

    There are exceptions to all of these things, with varying degrees of compromise, but the general trend is towards licensing everything and us having little to no ownership. And it’s entirely possible that places like Bandcamp won’t be able to sustain a business in the face of rising costs that the large streaming platforms can handle. Here’s hoping that doesn’t happen.